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The main problem with this latest account of nos. It gives the all-consuming sense of over-accenting the musical text, which in effect results in a brutalisation of the score. She brings an aggressive delivery to the double-stops in the Minuet of the same suite, which simply eradicates charm and makes them unpleasant to listen to. In the Sixth Suite, the Sarabande needs far more shaping in terms of the melodic line, while the Gavotte comes across as a sturdy essay on accents.
The most convincing performance comes in the Fourth Suite, where the harmony of the organ-like Prelude is well-voiced if cast in a rather relentlessly metrical pulse. Compared to the numerous wonderful recordings available of these masterpieces, this release is not one to which I would ever return.
Johann Sebastian Bach - IMDb
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They have improvisatory and virtuosic elements. The compositions lose none of their mystery.
Suite No.6 in E-flat major (Mattheson, Johann)
They are in a simpler form though they follow the plan of the French classical suite. The use of a single melodic line points to the essentials of musical structure, rather than a large Baroque edifice.
The g minor Suite fifth suite was recorded in Suites Four and Six were recorded in Comparing the sound reveals no difference in quality nor any difference in comparison with the recording of the first three suites Naive E